The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 14
... camera is tilting upward along a large pillar . Scene is in black and white . The camera pans ( leans ) sideways and pillar swings slowly off to the left . Another , similar pillar comes up , then out from right to left we are curving ...
... camera is tilting upward along a large pillar . Scene is in black and white . The camera pans ( leans ) sideways and pillar swings slowly off to the left . Another , similar pillar comes up , then out from right to left we are curving ...
Side 18
... camera draws closer - he turns , his mouth opens to continue speaking . The camera cuts to Katchen's face , and simultaneously there is a crashing chord from some highly Wagnerian music , which continues , dominating the sound track for ...
... camera draws closer - he turns , his mouth opens to continue speaking . The camera cuts to Katchen's face , and simultaneously there is a crashing chord from some highly Wagnerian music , which continues , dominating the sound track for ...
Side 19
... camera draws back to reveal Townsend , reading from his notes . He looks up . TOWNSEND : . . . and that man is the image of the world . " - The scene cuts to a view of angular buildings , with much archi- tectural detail , reflected by ...
... camera draws back to reveal Townsend , reading from his notes . He looks up . TOWNSEND : . . . and that man is the image of the world . " - The scene cuts to a view of angular buildings , with much archi- tectural detail , reflected by ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom