The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 15
... building up the impression of the room by larger shots which interrelate two or more previously shown details , until finally a whole wall is seen , then another , etc. The rhythm is governed by some fairly prominent element of the ...
... building up the impression of the room by larger shots which interrelate two or more previously shown details , until finally a whole wall is seen , then another , etc. The rhythm is governed by some fairly prominent element of the ...
Side 17
... building facade , with an ornate dome . Her hand moves surely , but with a lack of spirit indicating she is only passing time . The drawing is built of many short lines , lightly drawn , which never- theless cohere with a precision ...
... building facade , with an ornate dome . Her hand moves surely , but with a lack of spirit indicating she is only passing time . The drawing is built of many short lines , lightly drawn , which never- theless cohere with a precision ...
Side 33
... building , a long red trailer truck pressed against the platform , unloading sheep . Sammy was there helping . Cooper walked over . " Hi Sammy . " " Hi Coop . " Cooper pulled himself up onto the platform and watched the sheep for a ...
... building , a long red trailer truck pressed against the platform , unloading sheep . Sammy was there helping . Cooper walked over . " Hi Sammy . " " Hi Coop . " Cooper pulled himself up onto the platform and watched the sheep for a ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move neck never night oscilloscope PAUL PREUSS pause Peter pillar poem pulled pushed quintessence road rock rolling ROY SUSSMAN Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice Volume walked wall watched window Yale YELLOW CAB York City zoom