The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 13
... black and white invariably conveys a much more authentic , objective sensation than an equivalent scene in color . This is probably basically due to the fact that newsreels and low - budget films are normally black and white , but the ...
... black and white invariably conveys a much more authentic , objective sensation than an equivalent scene in color . This is probably basically due to the fact that newsreels and low - budget films are normally black and white , but the ...
Side 14
... white on black . The last title comes on the screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black ...
... white on black . The last title comes on the screen in white , then three separate letters in sequence turn blue , yellow , red . Simultaneously , a dominant chord of three notes on a guitar . Title and sound fade . Screen remains black ...
Side 17
... black and white , but are monochromatic on sepia stock . Repeat shot of the note - paper- the drawing is now fairly com- plete , and Katchen's hand returns to add a tall , shadowed statue to the crest of the dome . The sound for these ...
... black and white , but are monochromatic on sepia stock . Repeat shot of the note - paper- the drawing is now fairly com- plete , and Katchen's hand returns to add a tall , shadowed statue to the crest of the dome . The sound for these ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Almindelige termer og sætninger
Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom