Fra bogen
Resultater 1-3 af 3
Side 13
In the following scenes from The Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it develop .
In the following scenes from The Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it develop .
Side 18
After a brief pause , we hear Bradley Townsend's voice , conversational , low volume- but all other noise ceases entirely . TOWNSEND : How many southpaws have we got in this class ? Left - handers ? - A quick general view of the ...
After a brief pause , we hear Bradley Townsend's voice , conversational , low volume- but all other noise ceases entirely . TOWNSEND : How many southpaws have we got in this class ? Left - handers ? - A quick general view of the ...
Side 19
One of the larger sketches from this series remains on the screen as the music crashes to a close , immediately superseded by Townsend's voice . - ― TOWNSEND : " Now you see that the hope and the desire of returning to the first state ...
One of the larger sketches from this series remains on the screen as the music crashes to a close , immediately superseded by Townsend's voice . - ― TOWNSEND : " Now you see that the hope and the desire of returning to the first state ...
Hvad folk siger - Skriv en anmeldelse
Vi har ikke fundet nogen anmeldelser de normale steder.
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
Andre udgaver - Se alle
Almindelige termer og sætninger
Ames arms began bird black and white body building cage camera Candy chair close-up color continues Cooper covered dark deep desk detail door drop empty Experiment eyes face father feel feet felt foot front GIRL gulls hand hard head hear hill holding hooks inside Judy Kieffer kitchen leaned leaving legs light lines look move neck never night notes object once passed past Peter poem pulled pushed reached rested returned road rock rolling round Sammy sand scene screen seemed sheep shot shoulder side silence slowly smooth snow sound stand starts stepped stood straight Street tall thinking thought thousand Townsend trees truck trying turned voice Volume walked wall watched whole window