The Yale Literary Magazine, Bind 133,Oplag 6Yale Literary Society, 1965 |
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Side 11
... , was pressed between us this one night ; and all that's left in the humid bed is the bitter rind of what we said . BART TEUSH BART TEUSH SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the 11 LOVE LIKE A LEMON / Bart Teush.
... , was pressed between us this one night ; and all that's left in the humid bed is the bitter rind of what we said . BART TEUSH BART TEUSH SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the 11 LOVE LIKE A LEMON / Bart Teush.
Side 12
SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the introductory scenes to a film tenta- tively titled The Experiment . Approximately three to four minutes of screen time are described in seemingly minute detail ; this ...
SHOOTING SCRIPT : THE EXPERIMENT The following pages represent the introductory scenes to a film tenta- tively titled The Experiment . Approximately three to four minutes of screen time are described in seemingly minute detail ; this ...
Side 13
... Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it develop . - ― A stylistic device of extreme ...
... Experiment the former technique is more in evidence , though the latter will be much more important as the situation of Katchen's affair with Townsend and the mental events which lead up to it develop . - ― A stylistic device of extreme ...
Indhold
THE SEA GULLS Roy Sussman | 3 |
THE PHYSICIAN William R Freeman | 21 |
NOTES ON CONTRIBUTORS | 34 |
Copyright | |
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Ames Ansel arms attaché BART TEUSH bird black and white blanket body BROADWAY Brother Joe cage camera Candy Candy's chair Chemex coat coffee color Coop Cooper felt Cooper saw dark DEGAS desk door empty eyes father father Tom feel feet film film-makers fingers flat-on frog GIRL GRONOWICZ gulls head hill hooks inside jacket Jackson Mathews Judy Katchen's face Kieffer kitchen knife large close-up leaned left hand legs light look Ma and father move muscles neck never night oscilloscope PAUL PREUSS pause pencil Peter pillar poem pulled pushed quintessence road rock rolling Sammy sand scene screen SEA GULLS sheep SHOOTING SCRIPT shot shoulder silence slowly smooth snow sound track spect stared stood straight stylus tabby thousand stars thousand suns Townsend trees truck trying turned voice walked wall watched window Yale YELLOW CAB York City zoom