Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 47
... practice it concretely , in secret , all the more unhindered . The unequivocal function of jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this ...
... practice it concretely , in secret , all the more unhindered . The unequivocal function of jazz therefore presents itself to the dialectician as a puzzle . The clear elements of the material which contribute to the solving of this ...
Side 52
... practice . The organiz- ing theoretical values of coherence , totalization , and economy - which derived from the uncontested theoretical delimitation of practice — are necessarily perturbed by performativity's im- pact on theory . To ...
... practice . The organiz- ing theoretical values of coherence , totalization , and economy - which derived from the uncontested theoretical delimitation of practice — are necessarily perturbed by performativity's im- pact on theory . To ...
Side 62
... practice on the terrain opened up by the collapse of the theory / practice opposition — a collapse precipitated by the social movement towards that which the notion of aestheticization was meant to name . This act of histori- cal ...
... practice on the terrain opened up by the collapse of the theory / practice opposition — a collapse precipitated by the social movement towards that which the notion of aestheticization was meant to name . This act of histori- cal ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York