Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 137
... original French , Opera certainly had a lot of attitude , but attitude was not enough to compensate for weaknesses which , paradoxically , are accentuated in this faithful English rendering . Any translator for a university press would ...
... original French , Opera certainly had a lot of attitude , but attitude was not enough to compensate for weaknesses which , paradoxically , are accentuated in this faithful English rendering . Any translator for a university press would ...
Side 95
... original " altogether . The " original " now becomes " significant " only for people like the collector , who , Benjamin tells us , is a member of a species that is becoming extinct . Jean - Louis Comolli makes a similar observation in ...
... original " altogether . The " original " now becomes " significant " only for people like the collector , who , Benjamin tells us , is a member of a species that is becoming extinct . Jean - Louis Comolli makes a similar observation in ...
Side 106
... original screenplay of Yellow Earth , which was adapted from a story called " Echoes of the Deep Ravine " ( by Zhang Ziliang , 1983 ) . When the first work print of the film was produced , its beautiful colors led the producers to adopt ...
... original screenplay of Yellow Earth , which was adapted from a story called " Echoes of the Deep Ravine " ( by Zhang Ziliang , 1983 ) . When the first work print of the film was produced , its beautiful colors led the producers to adopt ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York