Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 32
... object above it , to its immediate , flattening presence . This too - this continuing compression and absorption of the viewer from above — is a kind of flight into the film - object , though the flight has a different structure for the ...
... object above it , to its immediate , flattening presence . This too - this continuing compression and absorption of the viewer from above — is a kind of flight into the film - object , though the flight has a different structure for the ...
Side 33
... object , or an object - representation of a certain kind , which absorbs action , reifies it . Theatre is a different kind of object - not only a product but a production . Its objectness is always being transcended , a project , by the ...
... object , or an object - representation of a certain kind , which absorbs action , reifies it . Theatre is a different kind of object - not only a product but a production . Its objectness is always being transcended , a project , by the ...
Side 39
... object and project . This view of a radical cinema would seem to agree with Sartre's own orientation to the problem ... object , but about a value - idea made object motherly love . This takes us back to the objective ethics of l'esprit ...
... object and project . This view of a radical cinema would seem to agree with Sartre's own orientation to the problem ... object , but about a value - idea made object motherly love . This takes us back to the objective ethics of l'esprit ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York