Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 32
... given , passive suppression ( being crushed , without resistance , like the petty criminal in superman's grip ) of the viewer - by the massive , projected body of the actor . Proximity is signalled by the having- to - feel this body ...
... given , passive suppression ( being crushed , without resistance , like the petty criminal in superman's grip ) of the viewer - by the massive , projected body of the actor . Proximity is signalled by the having- to - feel this body ...
Side 67
... given this , we would certainly be better advised to cease treating it under the aegis of scientific paradigms and to deliberately turn ourselves toward ethical and aesthetic paradigms . This is , it seems to me , what Mikhail Bakhtin ...
... given this , we would certainly be better advised to cease treating it under the aegis of scientific paradigms and to deliberately turn ourselves toward ethical and aesthetic paradigms . This is , it seems to me , what Mikhail Bakhtin ...
Side 140
... given or theoretical purity ; it is to deploy a series of positions and con- tradictions on and as the political - ethical space of contemporary subjectivity . I am not at all sure that I know how to manage anything like that deployment ...
... given or theoretical purity ; it is to deploy a series of positions and con- tradictions on and as the political - ethical space of contemporary subjectivity . I am not at all sure that I know how to manage anything like that deployment ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York