Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 64
... expression without softening it by this expression in this way it is paradoxical . The fact that it is itself preformed conventionally and only appears to be self - sufficient forces one to conclude , as does the musical expression of ...
... expression without softening it by this expression in this way it is paradoxical . The fact that it is itself preformed conventionally and only appears to be self - sufficient forces one to conclude , as does the musical expression of ...
Side 71
... Expression and the form of its Content ) , of four semiotic func- tions relating to the Referent and to Enunciation . Thus , we would have : 1 ) a denotative function : f ( den ) , corresponding to the relations between the form of the ...
... Expression and the form of its Content ) , of four semiotic func- tions relating to the Referent and to Enunciation . Thus , we would have : 1 ) a denotative function : f ( den ) , corresponding to the relations between the form of the ...
Side 97
... expression is given in the tune that is filled with a different set of words each time . For instance : In the sixth month the ice in the River hasn't thawed , It's my own father who is dragging me to the wedding board . Of all the five ...
... expression is given in the tune that is filled with a different set of words each time . For instance : In the sixth month the ice in the River hasn't thawed , It's my own father who is dragging me to the wedding board . Of all the five ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York