Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 33
... action . Theatre presents the action of the man to men as an audience and , through this action , the performer of the action and the world he lives in . ( 86-87 ) In theatre , we perceive the world on a human screen ; perhaps , a ...
... action . Theatre presents the action of the man to men as an audience and , through this action , the performer of the action and the world he lives in . ( 86-87 ) In theatre , we perceive the world on a human screen ; perhaps , a ...
Side 34
... action is in cinema , except to say that " whereas in film we deal with actors and action en conserve , theatre is a true event " ( 85 ) . If he does not define cinematic action , the answer is simple enough . Such “ action ” has no ...
... action is in cinema , except to say that " whereas in film we deal with actors and action en conserve , theatre is a true event " ( 85 ) . If he does not define cinematic action , the answer is simple enough . Such “ action ” has no ...
Side 36
... action go together : " the Idea as a living praxis emerges in action and as a moment of action as an ever contestable key to the world " ( CDR 302 ) . The unthought idea is an undone action . The impotence of the viewer crushed under ...
... action go together : " the Idea as a living praxis emerges in action and as a moment of action as an ever contestable key to the world " ( CDR 302 ) . The unthought idea is an undone action . The impotence of the viewer crushed under ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York