Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1989 |
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Side 83
... Chinese will not have to go through " yet another , greater tragedy , " has been dashed . What promised to be an era in which China had learned from the wounds of the Cultural Revolution and had opted for a greater political openness ...
... Chinese will not have to go through " yet another , greater tragedy , " has been dashed . What promised to be an era in which China had learned from the wounds of the Cultural Revolution and had opted for a greater political openness ...
Side 84
... Chinese . " This , to be sure , has everything to do with the general cultural ambience which has made it possible for “ Third World cinema " to emerge with some interest for audiences in North America and Western Europe in the first ...
... Chinese . " This , to be sure , has everything to do with the general cultural ambience which has made it possible for “ Third World cinema " to emerge with some interest for audiences in North America and Western Europe in the first ...
Side 106
... Chinese filmmakers opted for a name which gives priority to the image rather than to sound , even when the original conception was musical and not imagistic . This naming , then , is the film's first concealment and difference from ...
... Chinese filmmakers opted for a name which gives priority to the image rather than to sound , even when the original conception was musical and not imagistic . This naming , then , is the film's first concealment and difference from ...
Indhold
Jazz and the Paris AvantGarde | 3 |
John Cages Aesthetics | 28 |
Introduction to On Jazz | 68 |
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Adorno aesthetic American analysis artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's cultural studies data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson Lettrist literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist montage narrative object opera Paris Peter Bürger photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University viewer voice Western woman writing Yellow Earth York