Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 11Indiana University Press, 1989 |
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Side 100
... film , occupies a central position within the body of her films , for it brings together a strong interest in iconographic tradition with an imaginative exploration of new avenues of representing the feminine without sacrificing visual ...
... film , occupies a central position within the body of her films , for it brings together a strong interest in iconographic tradition with an imaginative exploration of new avenues of representing the feminine without sacrificing visual ...
Side 82
... film or a Third World box - office hit . This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like McDonald's hamburgers . ( The McDonaldization of films is a reality I accept and ...
... film or a Third World box - office hit . This is dictated by the laws of the investment world , where films are mainly a consumer product to be served like McDonald's hamburgers . ( The McDonaldization of films is a reality I accept and ...
Side 133
... film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the traces of Dai life , and a lingering visual ...
... film ( which include a mourning sequence in whitish grey , a funeral sequence in fiery red climaxing in the cremation of Ya , a shocking sight of the gigantic mud slide that has erased all the traces of Dai life , and a lingering visual ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth