Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 11Indiana University Press, 1989 |
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Side 20
... black clothing , merges seamlessly into the black - painted background : just to Now I wanted to immerse my own body in black see . This " experience in black " gave me the sensation as if I were expanding into infinite space . It was ...
... black clothing , merges seamlessly into the black - painted background : just to Now I wanted to immerse my own body in black see . This " experience in black " gave me the sensation as if I were expanding into infinite space . It was ...
Side 176
... Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa ...
... Black independent cinema in the social , political and cultural overdeterminations of its production . But also , each of these first articles focuses on a region of Black cinematic production , the US , Britain and Anglophone Africa ...
Side 179
... Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of Black independent cinema . All in all , we must welcome this articulate , multifaceted collection of essays and only hope that its ...
... Black , between Hollywood representations of Blacks , and liber- ating identities from the archives of Black independent cinema . All in all , we must welcome this articulate , multifaceted collection of essays and only hope that its ...
Indhold
1 FallWinter 198889 | 2 |
Anorexia and Modernism or How I Learned to Diet | 28 |
Further Thoughts | 42 |
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aesthetic African aging body anorexia anthropology Aschenbach Bartleby becomes Black butch butch-femme Chinese cinema civilization colonial constructed context critical cultural Death in Venice desire discourse distance dominant essay ETHNO ethnography ethnology female body femi femininity feminism feminist feminist aesthetic fiction film film's filmmaker Freud function gender Han Chinese homosexual human identity ideology Kidlat Tahimik knowledge Kristeva Lacan language lesbian Madame Madame X male Mary Ann Doane Maryse Condé masculine mask masquerade meaning Modleski mother narrative nature non-Han object Ottinger Ottinger's Peter Chan pleasure political pornography position postmodern problem produce psychoanalysis question reading realism reality represent representation ritual Riviere Riviere's role scene sense sexual difference signifier Silverman social society speak strategies structure Studies symbolic theory Third World thought tion traditional trans Ulrike Ottinger University Valie Export voice Western woman women writing youth