Hamlet: The Texts of 1603 and 1623: Third SeriesBloomsbury Academic, 22. mar. 2006 - 384 sider "This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text. This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text" -- Publisher description. |
Fra bogen
Resultater 1-3 af 57
Side 252
... Jenkins and Hibbard assume he begins to leave with the other Players , then waits for the First Player . 535 for a need generally preferred ( e.g. by Jenkins ) to Q2's ' for neede ' 536 dozen Jenkins sees in Q2 / F's shared spelling ...
... Jenkins and Hibbard assume he begins to leave with the other Players , then waits for the First Player . 535 for a need generally preferred ( e.g. by Jenkins ) to Q2's ' for neede ' 536 dozen Jenkins sees in Q2 / F's shared spelling ...
Side 253
... Jenkins that F is following Q2 . 548 his visage warmed his face flushed ; Jenkins , Oxf and Hibbard all conflate with Q2 ( see t.n. ) to read ' his visage wanned ' ( i.e. turned pale ) . OED does not record warmed in this sense , but Q2 ...
... Jenkins that F is following Q2 . 548 his visage warmed his face flushed ; Jenkins , Oxf and Hibbard all conflate with Q2 ( see t.n. ) to read ' his visage wanned ' ( i.e. turned pale ) . OED does not record warmed in this sense , but Q2 ...
Side 273
... Jenkins , Edwards , Oxf and Hibbard , we conflate here . 162 Jenkins omits Q2's additional line ( see t.n. ) as expressing the same thought as 163 ; it is also an interruption of the pattern of rhymed couplets , but Clark , Glover and ...
... Jenkins , Edwards , Oxf and Hibbard , we conflate here . 162 Jenkins omits Q2's additional line ( see t.n. ) as expressing the same thought as 163 ; it is also an interruption of the pattern of rhymed couplets , but Clark , Glover and ...
Indhold
Introduction | 1 |
THE TRAGICAL HISTORY | 41 |
THE TRAGEDY | 173 |
Copyright | |
1 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
actors Ard Q2 BARNARDO Ben Greet better Capell CORAMBIS dead death Denmark doth drink edited editors Edwards emend Enter HAMLET Enter KING error Exeunt Exit eyes F lines F reading father follow Q2 Fortenbrasse Fortinbras GENTLEMAN Gertred GHOST give GRAVEDIGGER GUILDENSTERNE HAMLET Ay hast hath heart heaven Hibbard adopt Q2's Hibbard prefer Q2's HORATIO i'th Irace is't Jenkins King Hamlet King's Laertes Leartes look lord MacDonald madness MARCELLUS MARCELLUS HAMLET Marry means misreading mother murder Ofelia OPHELIA OSRICKE Oxf and Hibbard perhaps phrase play Players POLONIUS pray preferred e.g. presumably Prince Hamlet production of Q1 prose Q1 lines Ql's Quarto QUEEN Red Shift revenge REYNOLDO ROSINCRANCE Rossencraft and Gilderstone Scene seems sense Shakespeare soul speak speech stage Stratford-upon-Avon subst tell Theatre of NOTE thee thou three texts Voltemar Weiner and Irace William Poel words