Hamlet: The Texts of 1603 and 1623: Third SeriesBloomsbury Academic, 22. mar. 2006 - 384 sider "This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text. This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text" -- Publisher description. |
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Side 236
... lines in F , apparently to fill up the space . Jenkins suggests that the words honourable and most humbly ( 211-12 ) are ' fill - ups ' invented by the compositor , but Polonius might be being exaggeratedly , even sarcastically ...
... lines in F , apparently to fill up the space . Jenkins suggests that the words honourable and most humbly ( 211-12 ) are ' fill - ups ' invented by the compositor , but Polonius might be being exaggeratedly , even sarcastically ...
Side 297
... lines in F in order ' to represent [ Hamlet's ] escape as more plainly providential ' ( i.e. not due to any fore- thought on his part ) . 188 goodnight . Indeed The full stop in F indicates that Indeed should perhaps go with what ...
... lines in F in order ' to represent [ Hamlet's ] escape as more plainly providential ' ( i.e. not due to any fore- thought on his part ) . 188 goodnight . Indeed The full stop in F indicates that Indeed should perhaps go with what ...
Side 355
... F lines third . / dally , / you but ] you Q1 ; you doe but Q2 252 afeared ] sure Q2 253 SD ] ( Play . ) 257 SD ] Capell 261 ] Q2 ; F lines Woodcocke / Osricke , / 263 swoons ] ( sounds ) Q2 264-5 ] Q2 ; F lines ' drinke . / ' drinke ...
... F lines third . / dally , / you but ] you Q1 ; you doe but Q2 252 afeared ] sure Q2 253 SD ] ( Play . ) 257 SD ] Capell 261 ] Q2 ; F lines Woodcocke / Osricke , / 263 swoons ] ( sounds ) Q2 264-5 ] Q2 ; F lines ' drinke . / ' drinke ...
Indhold
Introduction | 1 |
THE TRAGICAL HISTORY | 41 |
THE TRAGEDY | 173 |
Copyright | |
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actors Ard Q2 BARNARDO Ben Greet better Capell CORAMBIS dead death Denmark doth drink edited editors Edwards emend Enter HAMLET Enter KING error Exeunt Exit eyes F lines F reading father follow Q2 Fortenbrasse Fortinbras GENTLEMAN Gertred GHOST give GRAVEDIGGER GUILDENSTERNE HAMLET Ay hast hath heart heaven Hibbard adopt Q2's Hibbard prefer Q2's HORATIO i'th Irace is't Jenkins King Hamlet King's Laertes Leartes look lord MacDonald madness MARCELLUS MARCELLUS HAMLET Marry means misreading mother murder Ofelia OPHELIA OSRICKE Oxf and Hibbard perhaps phrase play Players POLONIUS pray preferred e.g. presumably Prince Hamlet production of Q1 prose Q1 lines Ql's Quarto QUEEN Red Shift revenge REYNOLDO ROSINCRANCE Rossencraft and Gilderstone Scene seems sense Shakespeare soul speak speech stage Stratford-upon-Avon subst tell Theatre of NOTE thee thou three texts Voltemar Weiner and Irace William Poel words