Hamlet: The Texts of 1603 and 1623: Third SeriesBloomsbury Academic, 22. mar. 2006 - 384 sider "This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text. This volume gives readers the First Quarto text of 1603 and the Folio Text of 1623, modernised and edited to the usual Arden standard. As a companion to the Second Quarto volume, it will be of particular interest to scholars and students of textual history, or to anyone studying Hamlet at an advanced level. Both plays are edited and annotated and the introduction contains the fullest available stage history of the First Quarto text" -- Publisher description. |
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Side 92
... Exit . 115 have commented on the awkwardness of both Hamlet and Ofelia reading books and have used it in their argu- ments about ' displacement ' of this sequence in Q1 : see ... Exit . 195 Exit . CORAMBIS I'll try him 92 7.107 Hamlet.
... Exit . 115 have commented on the awkwardness of both Hamlet and Ofelia reading books and have used it in their argu- ments about ' displacement ' of this sequence in Q1 : see ... Exit . 195 Exit . CORAMBIS I'll try him 92 7.107 Hamlet.
Side 126
... ( exit Horatio . ) 233-4 ] this edn ; Q1 lines enter / bosome . / Scene 10 ] Weiner The earth doth still cry out upon my fact . CORAMBIS Very like a whale . 230 Exit Corambis . Goodnight , Horatio . HORATIO Exit . HAMLET O God , let ne'er 235 ...
... ( exit Horatio . ) 233-4 ] this edn ; Q1 lines enter / bosome . / Scene 10 ] Weiner The earth doth still cry out upon my fact . CORAMBIS Very like a whale . 230 Exit Corambis . Goodnight , Horatio . HORATIO Exit . HAMLET O God , let ne'er 235 ...
Side 297
... Exit Hamlet tugging in Polonius . Enter KING . [ 4.1 ] There's matters in these sighs . These profound heaves you must translate : ' Tis fit we understand them . Where is your son ? QUEEN Ah , my good lord , what have I seen tonight ...
... Exit Hamlet tugging in Polonius . Enter KING . [ 4.1 ] There's matters in these sighs . These profound heaves you must translate : ' Tis fit we understand them . Where is your son ? QUEEN Ah , my good lord , what have I seen tonight ...
Indhold
Introduction | 1 |
THE TRAGICAL HISTORY | 41 |
THE TRAGEDY | 173 |
Copyright | |
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actors Ard Q2 BARNARDO Ben Greet better Capell CORAMBIS dead death Denmark doth drink edited editors Edwards emend Enter HAMLET Enter KING error Exeunt Exit eyes F lines F reading father follow Q2 Fortenbrasse Fortinbras GENTLEMAN Gertred GHOST give GRAVEDIGGER GUILDENSTERNE HAMLET Ay hast hath heart heaven Hibbard adopt Q2's Hibbard prefer Q2's HORATIO i'th Irace is't Jenkins King Hamlet King's Laertes Leartes look lord MacDonald madness MARCELLUS MARCELLUS HAMLET Marry means misreading mother murder Ofelia OPHELIA OSRICKE Oxf and Hibbard perhaps phrase play Players POLONIUS pray preferred e.g. presumably Prince Hamlet production of Q1 prose Q1 lines Ql's Quarto QUEEN Red Shift revenge REYNOLDO ROSINCRANCE Rossencraft and Gilderstone Scene seems sense Shakespeare soul speak speech stage Stratford-upon-Avon subst tell Theatre of NOTE thee thou three texts Voltemar Weiner and Irace William Poel words