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THE SURRENDER OF CORNWALLIS. [FROM THE PAINTING BY TRUMBULL IN THE YALE ART GALLERY, NEW HAVEN.]

sider himself with respect to every inch of his territory as a trustee, deriving his interest in them from God, and invested with them by Divine authority for the benefit of his subjects. As he may not sell them or waste them, so he may not resign them to an enemy, or transfer his right to govern them to any, not even to themselves, so long as it is possible for him to keep it. If he does, he betrays at once his own interest and that of his other dominions. Viewing the thing in this light, if I sat on his Majesty's throne, I should be as obstinate as he." Opinion in Parliament rapidly changed after the disaster, and in March, 1782, the Commons voted to authorize the king to make peace with America. On the 19th of April, 1783, eight years to a day after the war broke out, the good news that it was over was announced to the army by its beloved chief.

ALMOND BLOSSOM.

out the country. The army in the High- | he owes to himself and his people, to conlands, under Heath, devoted nearly a week to salutes and camp banquets, with Continental menu, and at Harvard and Yale there were orations and bonfires. The students of the latter college sang "a triumphal hymn," and its president, Dr. Stiles, was afterward moved to write to Washington in terms like these: "We rejoice that the Sovereign of the Universe hath hitherto supported you as the deliverer of your Country, the Defender of the Liberty and Rights of Humanity, and the Mæcenas of Science and Literature. We share the public Joy, and congratulate our Country on the Glory of your arms, and that eminence to which you have ascended in the recent Victory over the Earl of Cornwallis and his army in Virginia." Nor are we to forget that our generous ally Louis XVI. of France, upon hearing of the surrender, ordered a "Te Deum" to be sung in the Metropolitan church in Paris on the 27th of November, while the Bureau de la Ville issued an ordinance directing "all the bourgeois and inhabitants" of the city to illuminate the fronts of their houses, in order to celebrate with due respect a great victory gained in America, both by land and sea, over the English, by the armies of the king combined with those commanded by General Washington." Even in Great Britain the disappointment was not universal. Bancroft tells us that "Fox-to whom, in reading history, the defeats of armies of invaders, from Xerxes's time downward, gave the greatest satisfaction-heard of the capitulation of Yorktown with wild delight.' The king, of course, was still firm and uncompromising, and declared that he should never be "in the smallest degree an instrument" in making peace at the expense of separation from America. To Lord North he wrote, November 28: "I have no doubt when men are a little recovered of the shock felt by the bad news, and feel that if we recede no one can tell to what a degree the consequence of this country will be diminished, that they will then find the necessity of carrying on the war, though the mode of it may require alterations." Many good Englishmen believed as the king did, and the gentle poet Cowper was only avowing his loyalty to his sovereign and his nation when he inserted this passage in a letter to his friend the Rev. John Newton: It appears to me that the king is bound, both by the duty |

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[See Frontispiece.]
Love, will you yet regret the flowers that lie
Scattered, and wet with tears from April's sky?
They are not dead-the flowers can never die.
They are the gladness of a world unworn;
They sleep and waken with it, night and morn,
And laugh our dreams of ancient days to scorn.
O'er the wide gulfs that part us from the past,
O'er ruins of great works designed to last,
The lightly woven chain of flowers is cast;
And odors of old gardens, faintly blown
From legendary days and shores unknown,
Blend with the breath of those our hands have sown.
Of Milton's world how much was doomed to pass!
And yet we linger on the daisied grass,
And pluck the flowers he plucked for Lycidas,
And still the spring-time crowns a waiting land
With tender bloom. Nay, Love, 'tis you who stand.
With almond clusters in your clasping hand,
And all the sunset heaven behind your head;
Tis you must pass, an unknown way to tread,
And leave the flowers. If I had long been dead,
Yet came from sleep of twilight centuries,
The almond blossom 'neath these vernal skies
Should welcome me again, but not your eyes.
The rosy petals, drifted on the breeze,
Might strew, as now, the turf beneath the trees..
As now? No, not as now.

Because to these

Pink sprays of almond, for a little space,
Your musing smile, your blossom-perfect face,
Give a supreme and solitary grace.

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THE BREAD MARKET.

A DAY IN AFRICA.

Part Second.

IV.

T Sunday. I know whose

when the Aissawa are not overrunning it, or no fête is going on, the place is said to be as dull and silent as a plague-smitten city.

It being my last as well as my first day in Africa, I did not wait for the Hadji to call me that morning. I was an early bird, astir even before the slightest worm of a breakfast was practicable. Having completed my toilet, I wandered out on the platform in front of my bedroom to kill the intervening hour. Discovering a stone staircase leading still higher, I mounted the steps, and found myself on the roof of the hotel.

The Kasba on the height had all its win

I Sunday it was, for there are three to the dows illuminated by the daybreak, but the

week in Tangier, the Mohammedan, the Jew, and the Christian having each his own. It was Sunday; but what was more to the purpose, it was also a market-day. I had caught the town in one of its spasms of business. Between these spasms, and

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flake by flake from the clouds during the numbered, and without any feature to night. It was

There were figures moving on several of the neighboring house-tops. All the roofs were perfectly flat, and most of them surrounded by low battlements. Yonder was a young negress in sulphur-hued caftan and green girdle, shaking a striped rug over a parapet, and looking consciously picturesque. On a terrace further off a Moorish washer-woman and a little girl were spreading out their härcks and embroidered napkins on the flag-stones: the sun would reach them by-and-by. At my right was a man indolently lifting himself off a piece of carpet laid dangerously near the unprotected roof edge-possibly a summer boarder who had chosen that airy bed-chamber. He was rubbing his eyes, and had evidently slept there overnight. In this temperate climate, where the thermometer seldom rises above 90°, and rarely falls below 40°, the house-top would be preferable to an inside room to a summer boarder. On many of the roofs was evidence of pretty attempts at gardening, oleanders, acacias, palms, and dwarf almond-trees being set out in ornamental jars and tubs. There, no doubt, was the family resort after night-fall, the scene of ceremonious or social visits, and, I imagine, of much starry love-making.

Behind the hotel, in a desolate vacant lot checkered by small vats half filled with dye-stuffs, was an Arab tanner at work. Standing in the midst of his colored squares, he resembled a solitary chessman. I could look directly down on his smooth bare skull, which seemed cast of gilt-bronze or bell-metal. He wore nothing but a breech-cloth. The Moorish tanners are very expert, and employ arts not known to the trade elsewhere. They have a process by which lion and panther skins are rendered as pliable as satin, and of creamy whiteness. The green leather of Tafilet, the red of Fez, and the yellow of Morocco are highly esteemed.

I was still on the roof-top when the Hadji summoned me to breakfast, immediately after which we set forth on a stroll through the city. The streets of Tangier lose a little on close inspection by daylight; they are very dirty and very narrow, forming a labyrinth from which a stranger could scarcely extricate himself without the grace of God. I was constantly imagining we had come back to our starting-point, the houses being un

distinguish one from the other. like walking through endless avenues of tombs. Each building presented to the contracted footway an inhospitable, massive wall, set with a door of the exact pattern of its neighbor. This monotony is a characteristic of Oriental street architecture. No wonder the robber chief, in "The Forty Thieves," put a chalk-mark on the door of Ali Baba's house in order to find it again; and no wonder the slave-girl Morgiana completely frustrated the device by marking half a dozen doors in a similar manner.

Whatever of elegance there may be inside the Moorish houses, the outside is careful to give no hint of it. I believe that some of the interiors are lavishly decorated. Once or twice, in passing a half-open gate, I caught sight of a tessellated patio, with a fountain set in the midst of flowers and broad-leaved shrubbery, reminding me of the Andalusian court-yards. But the domestic life of the Mussulman goes veiled like his women.

For a city with so many Sundays, Tangier makes a rather poor exhibit in the line of sacred architecture. The foreign legations have a secluded chapel somewhere, and there are several mosques and Jewish synagogues, but none of note, except the Mohammedan mosque, whose porcelain-plated tower is the best part of it. In my quality of Christian dog I was not admitted to the edifice. The Hadji described the interior as being barren of interest. When the faithful go in to devotions they leave their foot-covering in the vestibule. As we went by that morning there were thirty or forty empty slippers of all sizes and colors arranged in a row on the stone pavement. They suggested the remnants of a row of soldiers that had been blown away by some phenomenal volley.

The Moors are handsome men, haughty of feature, and with great dignity of carriage. The Arab women, of whom we met not so many, left their charms to the imagination. Though they were muffled up to the eyelids, showing only a strip of buff forehead, they generally turned aside their faces as we approached them. Their street costume was not elaborate-a voluminous linen mantle, apparently covering nothing but a wide-sleeved chemise reaching to the instep and caught at the waist. Their bare feet were thrust into half-slip

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are shapeless old women,

"Sans teeth, sans eyes, sans taste, sans-everything."

maidens were not so avaricious of them- | early maidenhood. At thirty-five they selves, but let their beauty frankly blossom in doorways and at upper casements. Many of the girls were as slender and graceful as vines. In their apparel they appeared to affect solid colors-blues,

The increasing number of passers-by. and a confused buzz of voices that grew

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