Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 28Indiana University Press, 2006 |
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Side 15
... scene in his office with Pascal Ogier , who played a principal role in Eric Rohmer's Les Nuits de la pleine lune ( 1984 ) . The director told him to ask Ogier whether she believed in ghosts and Ogier replied , " Yes , now I do , yes ...
... scene in his office with Pascal Ogier , who played a principal role in Eric Rohmer's Les Nuits de la pleine lune ( 1984 ) . The director told him to ask Ogier whether she believed in ghosts and Ogier replied , " Yes , now I do , yes ...
Side 66
... scene , viewer and viewed . Or more exactly , Marty sees himself enacting the earlier scene ; he sees the part of the film that we , the audience , have already seen . He ( Marty ? Fox ? ) sees himself ( Fox ? Marty ? ) in the form of a ...
... scene , viewer and viewed . Or more exactly , Marty sees himself enacting the earlier scene ; he sees the part of the film that we , the audience , have already seen . He ( Marty ? Fox ? ) sees himself ( Fox ? Marty ? ) in the form of a ...
Side 69
... scene before us , and the same Marty , because , by whatever means , we recognize the same subject and subject's life within the scene , both despite and because of the divergent viewpoint or spacetime orientation , and we recognize ...
... scene before us , and the same Marty , because , by whatever means , we recognize the same subject and subject's life within the scene , both despite and because of the divergent viewpoint or spacetime orientation , and we recognize ...
Indhold
Letter from the Editor | 3 |
On Art and War at the Saint Louis Worlds Fair 1904 | 28 |
Evoking Exploration Between Bazin | 53 |
Copyright | |
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