Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
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Side 34
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
... present sensation . " " In this form of existential music , " Rochberg adds , " the present erases the past by allowing no recall or return ; and promises no future since the present happening is sufficient to itself , requir- ing no ...
Side 35
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
... present , just as it keeps open the coming ( future ) by withholding the present in this coming , that is , by denying it its being present . Thus , the proximity which brings near has the character of a denial and withholding ...
Side 77
... present in the billiards ensemble , and at the grandly conceived finale when the “ Alabama Song , " with its " We've lost our dear old mama , " appears as a gentle Cantus firmus and , with the greatest scenic effect , is revealed as the ...
... present in the billiards ensemble , and at the grandly conceived finale when the “ Alabama Song , " with its " We've lost our dear old mama , " appears as a gentle Cantus firmus and , with the greatest scenic effect , is revealed as the ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York