Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
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Side 29
... kind of discontinuity may be experienced as well in the listener's mind without existing in the work itself : " The activity of movement , sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is ...
... kind of discontinuity may be experienced as well in the listener's mind without existing in the work itself : " The activity of movement , sound , and light , " Cage will write in 1956 , " is expressive , but what it expresses is ...
Side 34
... kind of absence or intangible ghost . The absent object is enveloped in the ges- ture . ( 86 ) But " action is gesture in theatre ; in film it is not " ( 87 ) . Sartre does not give a positive account of what action is in cinema ...
... kind of absence or intangible ghost . The absent object is enveloped in the ges- ture . ( 86 ) But " action is gesture in theatre ; in film it is not " ( 87 ) . Sartre does not give a positive account of what action is in cinema ...
Side 43
... kind of representation is that ? Having discussed the face in Beckett's Film , the temptations of symmetry lead me to consider Carl Dreyer's The Passion of Joan of Arc ( 1928 ) as a further example , since faces dominate this film ...
... kind of representation is that ? Having discussed the face in Beckett's Film , the temptations of symmetry lead me to consider Carl Dreyer's The Passion of Joan of Arc ( 1928 ) as a further example , since faces dominate this film ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York