Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
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Side 52
... forces bursting forth within it , " or whatever the phrases with which obliging intellectuals justify its produc- tion . The belief in jazz as an elementary force with which an ostensibly decadent European music could be regenerated is ...
... forces bursting forth within it , " or whatever the phrases with which obliging intellectuals justify its produc- tion . The belief in jazz as an elementary force with which an ostensibly decadent European music could be regenerated is ...
Side 115
... force , and when force is gone , there's always Mom . Hi Mom ! So hold me Mom in your long arms . . . So hold me Mom , in your long arms , in your automatic arms , your electronic arms , in your arms ... So hold me Mom , in your long ...
... force , and when force is gone , there's always Mom . Hi Mom ! So hold me Mom in your long arms . . . So hold me Mom , in your long arms , in your automatic arms , your electronic arms , in your arms ... So hold me Mom , in your long ...
Side 135
... force and , following this line of thought after a litany of mass murderers beginning with Charley Starkweather and ending with John Wayne Gacy , Marcus quotes political scientist Walter Dean Burnham : " The great American substitute ...
... force and , following this line of thought after a litany of mass murderers beginning with Charley Starkweather and ending with John Wayne Gacy , Marcus quotes political scientist Walter Dean Burnham : " The great American substitute ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York