Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
Fra bogen
Resultater 1-3 af 50
Side 50
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
... effect than a live orchestra . It is , however , characteristic for jazz as a form of interference that its differentiated elements can be dispensed with without its being neutralized ( aufgehoben ) or ceasing to be recognizable as jazz ...
Side 52
... effect . Further analysis may then stumble on the " irrational " moments , onto the question of why , in the case of two pieces which are formally exactly alike and otherwise equivalent , one takes off and the other does not . But ...
... effect . Further analysis may then stumble on the " irrational " moments , onto the question of why , in the case of two pieces which are formally exactly alike and otherwise equivalent , one takes off and the other does not . But ...
Side 80
... effect , " or Brecht's “ alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
... effect , " or Brecht's “ alienation- effect " that provokes a potentially critical response from an audience , a heightened presence of mind , in Benjamin's terms . Ideally , an audience forced to reevaluate its habits in receiving ...
Andre udgaver - Se alle
Almindelige termer og sætninger
Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York