Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
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Side 83
... Chinese will not have to go through " yet another , greater tragedy , " has been dashed . What promised to be an era in which China had learned from the wounds of the Cultural Revolution and had opted for a greater political openness ...
... Chinese will not have to go through " yet another , greater tragedy , " has been dashed . What promised to be an era in which China had learned from the wounds of the Cultural Revolution and had opted for a greater political openness ...
Side 88
... Chinese . The question that arises then is this : how does a Westernized Chinese critic write about a " Chinese " film ? From the perspective of a taxonomically dichotomized " East " and " West , " there is obviously nothing " Chinese ...
... Chinese . The question that arises then is this : how does a Westernized Chinese critic write about a " Chinese " film ? From the perspective of a taxonomically dichotomized " East " and " West , " there is obviously nothing " Chinese ...
Side 106
... Chinese filmmakers opted for a name which gives priority to the image rather than to sound , even when the original conception was musical and not imagistic . This naming , then , is the film's first concealment and difference from ...
... Chinese filmmakers opted for a name which gives priority to the image rather than to sound , even when the original conception was musical and not imagistic . This naming , then , is the film's first concealment and difference from ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York