Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 12Indiana University Press, 1990 |
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Side 121
... Anderson has said : " I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " " 2 ...
... Anderson has said : " I also think that women are excellent social critics , basically because we have nothing to lose , anyway . It's like we're not in a position of power , so we don't risk a lot by being critical of it . " " 2 ...
Side 58
... Anderson is rigorously playing on the frame of her performance , both acting out its fabrication and undermining its gestural consistency . The fact that this characterizes the edge of her performance raises questions about the ...
... Anderson is rigorously playing on the frame of her performance , both acting out its fabrication and undermining its gestural consistency . The fact that this characterizes the edge of her performance raises questions about the ...
Side 59
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
... Anderson's case though , this articulation of the uncanny is also used to theorize the frame of contemporary performance art . Throughout the performance of United States , Anderson addresses her audience through what she calls " The ...
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Adorno aesthetic American analysis Anderson articulation artist avant-garde Benjamin Blau body Brecht Chinese cinema Clockwork Orange Cocteau contemporary context critical critique Cuiqiao's data bases deconstruction Derrida's desire dialectic discourse effect electronic epic theater essay ethical existential expression fact Feminism feminist film flâneur Foucault Fredric Jameson function gender gesture Harpham human identity ideology images individual intellectuals issues jazz John Cage language Laurie Anderson literary literature Mahagonny male Marxism mass culture material means Milhaud Minneapolis Minnesota modern modernist narrative object opera Paris photographs piece pleasure political popular culture pornography postmodern practice production psychoanalysis punk reality recent relation represent representation ritornellos Robert Mapplethorpe Ross Sartre Sartre's sense Sex Pistols sexual difference signifier social song sound space specific structure style subcultural Susan McClary theatre theoretical theory tion traditional trans University University of Wisconsin-Milwaukee viewer voice Western woman writing Yellow Earth York