Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 18,Oplag 1–21995 |
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Side 103
... dominant culture . In those narratives death becomes the prize characters pay for their embrace of the Other's culture . This is the moral lesson to which the viewer will be subjected in Luis Valdez's La Bamba : whether consciously or ...
... dominant culture . In those narratives death becomes the prize characters pay for their embrace of the Other's culture . This is the moral lesson to which the viewer will be subjected in Luis Valdez's La Bamba : whether consciously or ...
Side 105
... dominant U.S. text and the non- dominant Latino text , we understand that seduction must be controlled , the obvious usage of the power of cultural seduction must also be purged as intolerable . From West Side Story to The Last of the ...
... dominant U.S. text and the non- dominant Latino text , we understand that seduction must be controlled , the obvious usage of the power of cultural seduction must also be purged as intolerable . From West Side Story to The Last of the ...
Side 138
... dominant culture : " Ah hell , they are just of Messicans anyway . . . . " The inferiorization or animalization of the other , in this case Mexicans , benefits the dominant culture in not only obvious ways , but also , otherization ...
... dominant culture : " Ah hell , they are just of Messicans anyway . . . . " The inferiorization or animalization of the other , in this case Mexicans , benefits the dominant culture in not only obvious ways , but also , otherization ...
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anthology argues artists authors Aztlán Baja California become Border Art border literature border region Border Writing Borderlands Bruce-Novoa Cabeza de Vaca Calderón castration century chain link Chicano Chicano/a Chihuahua Ciudad Juárez colonial color contemporary critics crossing discourse dominant El Paso Encuentro essay ethnic feminized fence film Francisco Gamio geographical Gloria Anzaldúa Gómez-Peña Gonzalez Guillermo Gómez-Peña Guzmán Hernández Hicks Hispanic identity Indian José Juan Juárez Juárez/El Paso labor Latin literary Luis Luis Leal Luna Malasangre Manuel Manuel Gamio maquiladoras María Mario Marqués mestiza metaphor Mexican Immigrant Mexican Revolution Mexican side Mexico City migration miscegenation multicultural NAFTA narrative Native American North northern border Pérez de Villagrá perspective political produced Puerto Rican race racial Ramona reader representation Saldívar San Diego social space Spanish story studies theater theatralization theory Tijuana trope United Urrea US-Mexico border voices Wexner Center women workers writers York