Paris Chic, Tehran Thrills: Aesthetic Bodies, Political SubjectsZeta Books, 2007 - 302 sider |
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Side 91
... important , and she answered : " of course , very important " . The tag is the mark of the authentication of the merchandise ( Warnier 1996 ) . It is the proof that the commodity comes from elsewhere - not from anywhere , but from ...
... important , and she answered : " of course , very important " . The tag is the mark of the authentication of the merchandise ( Warnier 1996 ) . It is the proof that the commodity comes from elsewhere - not from anywhere , but from ...
Side 110
... important to remark that body covering is an important prescrip- tion ; nevertheless , the form of dress , its colors and daring motives are not in the range of concerns of these clients . On the contrary , for Europeans , the choice of ...
... important to remark that body covering is an important prescrip- tion ; nevertheless , the form of dress , its colors and daring motives are not in the range of concerns of these clients . On the contrary , for Europeans , the choice of ...
Side 129
... important point , since it touches directly on the idea of body conduits : the Islamic prayer requires the believer to bow a series of times bringing the forehead in contact with the ground . While a turban is perfectly adapted to this ...
... important point , since it touches directly on the idea of body conduits : the Islamic prayer requires the believer to bow a series of times bringing the forehead in contact with the ground . While a turban is perfectly adapted to this ...
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Paris Chic, Tehran Thrills: Aesthetic Bodies, Political Subjects Balasescu, Alexandru Begrænset visning - 2007 |
Almindelige termer og sætninger
aesthetic anthropology Azadeh boutiques brand name catwalk chador Chapter chavs clothing colonial colors constitute construction context copying create culture discourse display dynamic ethnographic European exterior spaces fabric fashion designers fashion houses fashion industry fashion journal fashion practices fashion show Fashion TV fieldwork Figure Foucault gender haute couture headscarf hijab ibid important individual inspiration interview Iran Iranian Islamic Revolution linked Lotous Mahla manto mantoha mark Middle East Middle Eastern clients mode models modern moral motion conduits Mozaique non-modern objects observation one's organization Orientalism Paris and Tehran Parisian Parissa persons photographer political present production public spaces Qajar ready-to-wear regimes of dress relation representation Reza Reza Shah season Shadi shari'a showroom spatial specific street style subjectivation Tehran tion urban spaces veil wearing Western woman women women's bodies workshop young Yves Saint Laurent Zoroastrian