Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 22,Oplag 1Indiana University Press, 2000 |
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Side 71
... Vincent and Clay agree that " our physical similarity is disarming . " In this manner , the film delivers its comedic punch : within the film everyone accepts Clay as Vincent , remaining effectively colorblind and suturing him into ...
... Vincent and Clay agree that " our physical similarity is disarming . " In this manner , the film delivers its comedic punch : within the film everyone accepts Clay as Vincent , remaining effectively colorblind and suturing him into ...
Side 74
... Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The ...
... Vincent Towers . While the film never reflects anything but Haysbert's face in Clay Arlington's looking glass , Clay seems to agree with the nurses and doctors around him that he sports Vincent's features after the surgery . The ...
Side 84
... Vincent , he chooses to remain — are we surprised ? -powerful , rich , and in love . Max , however , insists that ... Vincent Towers ; he is Clay Arlington . He may dress in Vincent's fine clothes , drive Vincent's expensive car , play ...
... Vincent , he chooses to remain — are we surprised ? -powerful , rich , and in love . Max , however , insists that ... Vincent Towers ; he is Clay Arlington . He may dress in Vincent's fine clothes , drive Vincent's expensive car , play ...
Indhold
Total Duplicity of this War | 3 |
Collective Memory Credibility Structures and the Case | 31 |
Greg Louganis and | 53 |
Copyright | |
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Al Sharpton American anti-Semitic argues art history artistic assimilation audience Body Snatchers body with AIDS Brawley's Brawley's allegations Brawley's supporters Buber Cahiers du cinéma Chantal Akerman Chantal Akerman's Christian cinema claim Clay Clay's collective memory colorblind critical cultural studies Descartes discourse diving dream dualism ethnic fact fantasy fear fiction film's filmic Freud gaze Glenda Brawley grand jury Greg Louganis Gutmann hoax Holocaust homosexual horror film Howard Beach idolatry infection interview Invasion Jewish art Jewish identity Jews Kol Nidre Lanzmann Louganis's Maddox mainstream Martí McGehee and Siegel montage multicultural narrative Nidre nineteenth century Niney Olympics original Outrage notes politics Press race racial racism rape remake Renee representation Second Commandment Secrets sexual Sharpton shot social suggests suture Tawana Brawley television television's theory thing Trans transmission Vernon Mason victims viewers Vincent Towers visibility visual Walker Art Center Wayne State University York