Absorption and Theatricality: Painting and Beholder in the Age of DiderotUniversity of Chicago Press, 15. sep. 1988 - 249 sider With this widely acclaimed work, Michael Fried revised the way in which eighteenth-century French painting and criticism are viewed and understood. Analyzing paintings produced between 1753 and 1781 and the comments of a number of critics who wrote about them, especially Dennis Diderot, Fried discovers a new emphasis in the art of the time, based not on subject matter or style but on values and effects. |
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Absorption and Theatricality: Painting and Beholder in the Age of Diderot Michael Fried Begrænset visning - 1980 |
Almindelige termer og sætninger
Abbé absorption action admiration anti-Rococo artist attention audience Augustin autre beautiful beholder's Bélisaire Belisarius bien c'est canvas Carle Van Loo chapter conception of painting contemporaries côté criticism d'une David depicted deux Diderot Discours discussion Donatistes dramatic Dyck eighteenth century engraving Entretiens Essais être exhibited expression fait faut fiction figures Font Fragonard France French painting grand Greuze's Grimm hierarchy of genres history painting homme Hubert Robert Huquier Ibid Jacques-Louis David jamais Jean Seznec Jean-Baptiste Greuze Jean-Baptiste-Siméon Chardin Jean-Honoré Fragonard Jeune Fille Joseph-Marie Vien l'art Laugier Lettre Loo's Louvre Musée Museum n'est nature objects occupé Oeuvres ouvrages painter painting and beholder Paris passage passion peinture Pensées détachées Père de famille personnages peut Philosophe Phot pictorial portrait qu'elle qu'il qu'on qu'un reading regard remarks representation rien Rococo Salon scène seems Seznec spectateur sublime sujet tableau tête theatrical tion tout unity Vien's voit writings yeux young