A Short History of the English DramaHarcourt, Brace, 1921 - 260 sider |
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Side 5
... Kings and the Flight into Egypt , and also scenes con- nected with the Resurrection , such as those of the Entry into Jerusalem , the Crucifixion , and the Walk to Emmaus . The chronological order of development in the three groups ...
... Kings and the Flight into Egypt , and also scenes con- nected with the Resurrection , such as those of the Entry into Jerusalem , the Crucifixion , and the Walk to Emmaus . The chronological order of development in the three groups ...
Side 9
... King John . Very important was the influence that crept into the drama from folk - lore , games , and festivals — in short , from the everyday customs of the people . Old pagan festivals of Summer and Winter incidentally cultivated many ...
... King John . Very important was the influence that crept into the drama from folk - lore , games , and festivals — in short , from the everyday customs of the people . Old pagan festivals of Summer and Winter incidentally cultivated many ...
Side 10
... king and queen became the central figures in a play in which second- ary characters - Friar Tuck , Little John , the Sheriff of Nottingham , and others - found their places . Thus , al- though the drama ultimately placed emphasis on ...
... king and queen became the central figures in a play in which second- ary characters - Friar Tuck , Little John , the Sheriff of Nottingham , and others - found their places . Thus , al- though the drama ultimately placed emphasis on ...
Side 28
... King of Persia " from the beginning of his kingdom unto his death ; his one good deed of execution ; after that , many wicked deeds and tyrannous murders committed by and through him , and last of all , his odious death by God's justice ...
... King of Persia " from the beginning of his kingdom unto his death ; his one good deed of execution ; after that , many wicked deeds and tyrannous murders committed by and through him , and last of all , his odious death by God's justice ...
Side 29
... King Cambyses ' vein " as something proverbial for rant . At the same time there is occasionally heard the voice of genuine feeling , as in the farewell of Praxaspes to his little son , and the play as a whole has the merit of clear con ...
... King Cambyses ' vein " as something proverbial for rant . At the same time there is occasionally heard the voice of genuine feeling , as in the farewell of Praxaspes to his little son , and the play as a whole has the merit of clear con ...
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Almindelige termer og sætninger
acter actors adapted appeared artist Beaumont and Fletcher became Ben Jonson blank verse Bussy D'Ambois century char characterization characters chronicle play Cibber classical collaboration comedy of manners comic Congreve contemporary court criticism death decade Dekker developed dialogue dramatist Dryden Duchess edited Elizabeth Elizabethan Elizabethan drama emphasis England English Drama especially famous French Garrick George Gorboduc Hamlet Henry hero heroic drama heroic play Heywood humor husband influence interest Introduction John Jonson killed King Lady later literary literature London Lord lover Maid's Tragedy main plot Marlowe Marlowe's masque master ment Molière moral Neilson noteworthy passion period playhouse playwright poet poetic poetry popular primarily production prose Puritan Queen representative Restoration Restoration comedy revenge Richard Richard III romantic satire scene seems sentimental Shakespeare Sheridan shows Spanish stage story success Tamburlaine theatre theatrical theme Thomas tion tragedy tragicomedy wife William woman writing wrote young
Populære passager
Side 181 - ... in which the virtues of private life are exhibited, rather than the vices exposed ; and the distresses rather than the faults of mankind make our interest in the piece.
Side 94 - But deeds and language such as men do use, And persons such as Comedy would choose, When she would show an image of the times. And sport with human follies, not with crimes; Except we make 'em such, by loving still Our popular errors, when we know they're ill.
Side 181 - But there is one argument in favour of sentimental comedy which will keep it on the stage, in spite of all that can be said against it. It is of all others the most easily written. Those abilities, that can hammer out a novel, are fully sufficient for the production of a sentimental comedy.
Side 68 - The best in this kind are but shadows ; and the worst are no worse, if imagination amend them.
Side 224 - Unpleasant. -The reason is pretty obvious ; their dramatic power is used to force the spectator to face unpleasant facts. No doubt all plays which deal sincerely with humanity must wound the monstrous conceit which it is the business of romance to flatter.
Side 181 - In these plays almost all the characters are good and exceedingly generous; they are lavish enough of their tin money on the stage; and though they want humor, have abundance of sentiment and feeling. If they happen to have faults or foibles, the spectator is taught not only to pardon but to applaud them, in consideration of the goodness of their hearts...
Side 106 - A tragi-comedy is not so called in respect of mirth and killing, but in respect it wants deaths, which is enough to make it no tragedy, yet brings some near it, which is enough to make it no comedy, which must be a representation of familiar people, with such kind of trouble as no life be questioned; so that a god is as lawful in this as in a tragedy, and mean people as in a comedy.
Side 30 - The people, moved with the cruelty of the fact, rose in rebellion, and slew both father and mother. The nobility assembled, and most terribly destroyed the rebels ; and afterwards, for want of issue of the prince, whereby the succession of the crown became uncertain, they fell to civil war...
Side 181 - ... consideration of the goodness of their hearts; so that folly, instead of being ridiculed, is commended, and the comedy aims at touching our passions without the power of being truly pathetic. In this manner we are likely to lose one great source of entertainment on the stage; for while the comic poet is invading the province of the tragic muse, he leaves her lovely sister quite neglected.
Side 84 - The cloud-capp'd towers, tlie gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind.