Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems of Romantic CultureRodopi, 2001 - 349 sider This literature-centered study offers an interdisciplinary approach to Romantic culture. If is pioneering in that it employs the complexity method of anthropology. Recent literary studies employ the complexity/chaos theory adapted from the natural sciences; however, here is presented for the first time a complexity method taken from the social/human sciences. This complexity method is useful in mediating not only contradictions within Romanticism, but the chaos of contemporary theories concerning it. One of the intensifying literary debates is that between the so-called "Greens" and "Reds," naturalists and humanists. Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity - thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough. |
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Side 28
... painters , and composers . Implicit in the categories is the desire to make meteorology into a useful method of predicting weather . As Howard says , when discussing the cirrus cloud type : their modification , although in appearance ...
... painters , and composers . Implicit in the categories is the desire to make meteorology into a useful method of predicting weather . As Howard says , when discussing the cirrus cloud type : their modification , although in appearance ...
Side 32
... painters , as well as composers , closely connect the small brook , produced by the spring , combined with the spring itself . Other than the Romantic trait that allows for a sense of movement with a rivulet's bubbling forth and flowing ...
... painters , as well as composers , closely connect the small brook , produced by the spring , combined with the spring itself . Other than the Romantic trait that allows for a sense of movement with a rivulet's bubbling forth and flowing ...
Side 39
... painters , and musi- cians to cope with all the other mass of social , aesthetic , and intellectual contra- dictions . And yet , while I posit ( Neo ) Classical - Romantic as a more precise term , I still reserve the right to use for ...
... painters , and musi- cians to cope with all the other mass of social , aesthetic , and intellectual contra- dictions . And yet , while I posit ( Neo ) Classical - Romantic as a more precise term , I still reserve the right to use for ...
Side 44
... painters Friedrich , Constable , and , except for the last decade of his life , Turner . In sepia series , The Cycle of Life , Friedrich employs the water - cycle along with that of the seasons as correlatives of the human - life cycle ...
... painters Friedrich , Constable , and , except for the last decade of his life , Turner . In sepia series , The Cycle of Life , Friedrich employs the water - cycle along with that of the seasons as correlatives of the human - life cycle ...
Side 58
... Painters ( New York : Norton , 1969 ) 786 . 92 The Prose Works of William Wordsworth . Eds . W.J.B. Owen and Jane Worthington Symyser . 3 vols . ( Oxford : Clarendon , 1974 ) . This will be cited as Prose Works throughout the text of ...
... Painters ( New York : Norton , 1969 ) 786 . 92 The Prose Works of William Wordsworth . Eds . W.J.B. Owen and Jane Worthington Symyser . 3 vols . ( Oxford : Clarendon , 1974 ) . This will be cited as Prose Works throughout the text of ...
Indhold
1 | |
7 | |
SOURCE | 69 |
FLOW | 117 |
RECEPTACLE | 199 |
LINK | 267 |
CONCLUSION | 325 |
PRIMARY BIBLIOGRAPHY | 331 |
BIBLIOGRAPHICAL ESSAY ON SECONDARY WORKS | 342 |
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Mediating Order and Chaos: The Water-Cycle in the Complex Adaptive Systems ... Rodney Farnsworth Begrænset visning - 2021 |
Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems ... Rodney Farnsworth Ingen forhåndsvisning - 2001 |
Almindelige termer og sætninger
Abrams allegorical artist aspect Baroque Byron Caspar David Friedrich century chaos chapter Classicism clouds Coleridge complexity theory concept Constable context cosmic create cycle described Dorothea Duddon elements employed eternal falls Faust flow flux fountain French Revolution Friedrich glacier Goethe Goethe's Hermann and Dorothea Hugo Hugo's human hydrological-cycle hydrology imagery Jane Austen Kenneth Clark lake Lamartine landscape Lansing lines lyric Mary Shelley metaphor mind mist Mont Blanc movement nature Neoclassical Neoclassicism ocean offers painters painting paradox passage permanence in change persona poem poet poet's poetic poetry political quarter rain rendered represent rhetoric river River Duddon rocks Romantic culture Romanticism scene scientific seems sense Shelley Shelley's significant sonnet spring stanza Stolberg Storm and Stress stream suggest symbol term topographical treated Turner Vaughan vision water images water phenomena water-cycle waterfall waves Weimar Classicism Werther Wordsworth world view York
Populære passager
Side 249 - And first one universal shriek there rush'd, Louder than the loud ocean, like a crash Of echoing thunder; and then all was hush'd, Save the wild wind and the remorseless dash Of billows; but at intervals there gush'd, Accompanied with a convulsive splash, A solitary shriek, the bubbling cry Of some strong swimmer in his agony.
Side 103 - Motionless torrents! silent cataracts! Who made you glorious as the Gates of Heaven Beneath the keen full moon? Who bade the sun Clothe you with rainbows? Who, with living flowers Of loveliest blue, spread garlands at your feet? GOD! let the torrents, like a shout of nations, Answer! and let the ice-plains echo, GOD!
Side 208 - Mais s'il est un état où l'ame trouve une assiette assez solide pour s'y reposer tout entière , et rassembler là tout son être , sans avoir besoin de rappeler le passé ni d'enjamber sur l'avenir, où le temps ne soit rien pour elle , où le présent dure toujours, sans néanmoins marquer sa durée et sans aucune trace de succession...
Side 299 - I sift the snow on the mountains below, And their great pines groan aghast ; And all the night 'tis my pillow white, While I sleep in the arms of the blast.
Side 105 - Were all like workings of one mind, the features Of the same face, blossoms upon one tree ; Characters of the great Apocalypse, The types and symbols of Eternity, Of first, and last, and midst, and without end.