Shakespeare: Invention of the Human: The Invention of the HumanPenguin Publishing Group, 1998 - 768 sider "The indispensable critic on the indispensable writer." -Geoffrey O'Brien, New York Review of Books A landmark achievement as expansive, erudite, and passionate as its renowned author, this book is the culmination of a lifetime of reading, writing about, and teaching Shakespeare. |
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Side 153
... begins and ends in Bottom , who makes his first appearance in the play's second scene , and in Puck , who begins Act II , we are not transported by the sublime language unique to this drama until Oberon and Titania first confront each ...
... begins and ends in Bottom , who makes his first appearance in the play's second scene , and in Puck , who begins Act II , we are not transported by the sublime language unique to this drama until Oberon and Titania first confront each ...
Side 719
... begin by standing in awe of Shakespeare , but I know of no other way to begin with him . Wonder , gratitude , shock , amazement are the accurate responses out of which one has to work . Jacob Burckhardt , a rather distinguished Old ...
... begin by standing in awe of Shakespeare , but I know of no other way to begin with him . Wonder , gratitude , shock , amazement are the accurate responses out of which one has to work . Jacob Burckhardt , a rather distinguished Old ...
Side 744
... begins by noting what Shake- speare himself implied about them ; it cannot conclude by compiling what they imply ... begin ? Prospero foregrounds The Tempest in his early conversation with Miranda , but does the drama truly commence with ...
... begins by noting what Shake- speare himself implied about them ; it cannot conclude by compiling what they imply ... begin ? Prospero foregrounds The Tempest in his early conversation with Miranda , but does the drama truly commence with ...
Indhold
Shakespeares Universalism | 1 |
The Comedy of Errors | 21 |
The Taming of the Shrew | 28 |
Copyright | |
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Shakespeare: Invention of the Human: The Invention of the Human Harold Bloom Ingen forhåndsvisning - 1999 |
Almindelige termer og sætninger
ambivalence Antony and Cleopatra audience authentic Barabas Barnardine Bastard become Ben Jonson Berowne Brutus Caesar Caliban character Christian comedy comic consciousness Cordelia Coriolanus critics Cymbeline death Desdemona doth drama Dream Duke Edgar Edmund eyes Falstaff and Hamlet father Faulconbridge final Fool genius give Goneril Hal's hath heart Henry human imagination Imogen invention irony Jonson Juliet King Lear Lady lago lago's Lear's Leontes lord Love's Labour's Lost lovers Macbeth madness Malvolio Marlowe Marlowe's Measure for Measure Mercutio moral murder nature never Noble Kinsmen Olivia Othello outrageous parody passion perhaps Pericles personality play's poet Posthumus pragmatically Prince Prospero Richard Richard III role Roman Romeo Rosalind scene seems sense sexual Shake Shakespeare Shylock Sir John Sonnets speak speare speare's spirit stage sublime Tempest thee Thersites Theseus thou Timon Titus Andronicus tragedy transcends Troilus and Cressida Twelfth Night Ur-Hamlet Venice villain