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having sent a considerable present to the Fakirs, who kept up the Perpetual Lamp in her sister's tomb, meekly ascended the palankeen prepared for her; and, while Aurungzebe stood to take a last look from his balcony, the procession moved slowly on the road to Lahore.
Seldom had the Eastern world seen a cavalcade so superb. From the gardens in the suburbs to the Imperial palace, it was one unbroken line of splendour. The gallant appearance of the Rajas and Mogul lords, distinguished by those insignia of the Emperor's favour, the feathers of the egret of Cashmere in their turbans, and the small silver-rimmed kettle-drums at the bows of their saddles; - the costly armour of their cavaliers, who vied, on this occasion, with the guards of the great Keder Khan, in the brightness of their silver battle-axes and the massiness of their maces of gold; — the glittering of the gilt pine-apples on the tops of the palankeens; - the embroidered trappings of the elephants, bearing on their backs small turrets, in the shape of little antique temples, within which the Ladies of LALLA Rookh lay, as it were enshrined; - the rose-coloured veils of the Princess's own sump
tuous litter, at the front of which a fair young female slave sat fanning her through the curtains, with feathers of the Argus pheasant's wing; — and the lovely troop of Tartarian and Cashmerian maids of honour, whom the young King had sent to accompany his bride, and who rode on each side of the litter, upon small Arabian horses; - all was brilliant, tasteful, and magnificent, and pleased even the critical and fastidious FADLADEEN, Great Nazir or Chamberlain of the Haram, who was borne in his palankeen immediately after the Princess, and considered himself not the least important personage of the pageant.
FADLADEEN was a judge of every thing, — from the penciling of a Circassian's eye-lids to the deepest questions of science and literature; from the mixture of a conserve of rose-leaves to the composition of an epic poem: and such influence had his opinion upon the various tastes of the day, that all the cooks and poets of Delhi stood in awe of him. His political conduct and opinions were founded upon that line of Sadi,-“Should the Prince at noon-day say, It is night, declare that you behold the moon and stars.” — And his zeal for religion, of which Aurungzebe was a munificent protector, was
about'as disinterested as that of the goldsmith who fell in love with the diamond eyes of the idol of Jaghernaut.
During the first days of their journey, LALLA Rooks, who had passed all her life within the shadow of the Royal Gardens of Delhi, found enough in the beauty of the scenery through which they passed to interest her mind and delight her imagination; and when, at evening or in the heat of the day, they turned off from the high road to those retired and romantic places which had been selected for her encampments, — sometimes on the banks of a small rivulet, as clear as the waters of the Lake of Pearl; sometimes under the sacred shade of a Banyan tree, from which the view opened upon a glade covered with antelopes; and often in those hidden, embowered spots, described by one from the Isles of the West, as “ places of melancholy, delight, and safety, , where all the company around was wild peacocks and turtle doves;" — she felt a charm in these scenes, so lovely and so new to her, which, for a time, made her indifferent to every other amusement.
But LALLA Rookh was young, and the young love variety; nor could the conversation of her Ladies and the Great
Chamberlain, FADLADEEN, (the only persons, of course, admitted to her pavilion,) sufficiently enliven those many vacant hours, which were devoted neither to the pillow nor the palankeen. There was a little Persian slave who sung sweetly to the Vina, and who, now and then, lulled the Princess to sleep with the ancient ditties of her country, about the loves of Wamak and Ezra, the fairhaired Zal and his mistress Rodahver; not forgetting the combat of Rustam with the terrible White Demon. At other times she was amused by those graceful dancing-girls of Delhi, who had been permitted by the Bramins of the Great Pagoda to attend her, much to the horror of the good Mussulman FADLADEEN, who could see nothing graceful or agreeable in idolaters, and to whom the very tinkling of their golden anklets was an abomination.
But these and many other diversions were repeated till they lost all their charm, and the nights and noondays were beginning to move heavily, when, at length, it was recollected that, among the attendants sent by the bridegroom, was a young poet of Cashmere, much celebrated throughout the Valley for his manner of reciting the Stories of the East, on whom his Royal Master had
conferred the privilege of being admitted to the pavilion of the Princess, that he might help to beguile the tediousness of the journey by some of his most agreeable recitals. At the mention of a poet FADLADEEN elevated his critical eye-brows, and, having refreshed his faculties with a dose of that delicious opium, which is distilled from the black poppy of the Thebais, gave orders for the minstrel to be forthwith introduced into the presence.
The Princess, who had once in her life seen a poet from behind the screens of gauze in her Father's hall, and had conceived from that specimen no very favourable ideas of the Cast, expected but little in this new exhibition to interest her; - she felt inclined however to alter her opinion on the very first appearance of Fera
He was a youth about Lalla Rookh's own age, and graceful as that idol of women, Crishna', such as he appears to their young imaginations, heroic, , beautiful, breathing music from his very eyes, and exalting the religion of his worshippers into love. His dress was simple, yet not without some marks of costa liness, and the Ladies of the Princess were not long in
3 The Indian Apollo.