Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 57
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
... voice , and gently reminds us of the terms of courtroom litigation . Now it would be misleading to characterize the male voice - over as the only extra - diegetic sound we hear , for music , especially sensationalized music , clearly ...
Side 145
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
... voice is involved in the various mirrors and projec- tions she describes ( this strikes me as especially important since sight is so commonly allied with masculine forces ) . The connections between woman , sound and the voice do become ...
Side 53
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
... voice of anthropology à la Freud for which we chose an Australian voice , the second was the voice of description / narration for which we chose a Sri Lankan voice which had a trace of a Tamil accent , the third voice was the voice of ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York