Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 29
... space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position in language ...
... space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position in language ...
Side 20
... space , in black empty - space , as the experiences of women artists show us . In the catalog to the exhibition " Kunst mit Eigen - Sinn , " the Portuguese photographer Helena Almeida writes apropos of her selfportraits , where her body ...
... space , in black empty - space , as the experiences of women artists show us . In the catalog to the exhibition " Kunst mit Eigen - Sinn , " the Portuguese photographer Helena Almeida writes apropos of her selfportraits , where her body ...
Side 55
... space of Western representation , the proscenium stage . But this space , rather than the arena space in which the ritual of exorcism is performed , is the one that the postcolonial Sri Lankan theatergoer is most familiar with , so it ...
... space of Western representation , the proscenium stage . But this space , rather than the arena space in which the ritual of exorcism is performed , is the one that the postcolonial Sri Lankan theatergoer is most familiar with , so it ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York