Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 118
... sense , and can initiate instead a regime of ( romantically grounded ) sense . These letters don't just tell the story of any cinema , but of a particular institution of cinema . Here , the letters help form what Lacan calls the Letter ...
... sense , and can initiate instead a regime of ( romantically grounded ) sense . These letters don't just tell the story of any cinema , but of a particular institution of cinema . Here , the letters help form what Lacan calls the Letter ...
Side 124
... sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in the Russian Formalist sense ...
... sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in the Russian Formalist sense ...
Side 10
... sense in sentences became an obsession with her after 1953 , when the sense of the construc- tion of the feminine upon the body began to vanish . Mental illnesses , as deconstruction of this female body , or as dissolution of the ...
... sense in sentences became an obsession with her after 1953 , when the sense of the construc- tion of the feminine upon the body began to vanish . Mental illnesses , as deconstruction of this female body , or as dissolution of the ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York