Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 124
... reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in ...
... reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of spectacular per- ception ( thus , in the musical , narrative can become a mere De- vice , in ...
Side 125
... reference to its farm function and be- comes instead the " vehicle " for Jane's desire for a performing life . Like the Purloined Letter , the tractor ultimately has no fixed content , no ultimate denotation ; it takes its identity from ...
... reference to its farm function and be- comes instead the " vehicle " for Jane's desire for a performing life . Like the Purloined Letter , the tractor ultimately has no fixed content , no ultimate denotation ; it takes its identity from ...
Side 120
... reference for defining who is old . Interestingly enough , it is a point which in the psychic economy of an individual is not fixed . " Young " is a moveable marker . Young and old frame the linear continuum of the life course . But as ...
... reference for defining who is old . Interestingly enough , it is a point which in the psychic economy of an individual is not fixed . " Young " is a moveable marker . Young and old frame the linear continuum of the life course . But as ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York