Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 21
... position and cultural position as " other , " we are more " embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world . Hence as women we are held more accountable for matching the ...
... position and cultural position as " other , " we are more " embodied ” than are men , 2 at times literally reduced in value to bodies as means of exchange with the world . Hence as women we are held more accountable for matching the ...
Side 29
... position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position ...
... position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive , " addressed to the viewer directly , presuming our presence and cooperation in a virtual position ...
Side 60
... position , getting up from a seated position , moving from a standing position , and encircling a certain space ) turning and glancing at something beneath the 60 Discourse 11.2.
... position , getting up from a seated position , moving from a standing position , and encircling a certain space ) turning and glancing at something beneath the 60 Discourse 11.2.
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York