Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 124
... narrative can become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . - Film does not only inherit the ...
... narrative can become a mere De- vice , in the Russian Formalist sense of the term , for getting a show going narrative as mere excuse to motivate a perfor- mance that really has no motivation ) . - Film does not only inherit the ...
Side 33
... narrative has relied centrally on principles of multiple identi- fication and of narrative structure in which there is a fine line , if any line at all , between irony and rhetoric , between critique and celebration . Indeed , one of ...
... narrative has relied centrally on principles of multiple identi- fication and of narrative structure in which there is a fine line , if any line at all , between irony and rhetoric , between critique and celebration . Indeed , one of ...
Side 37
... narrative predictions backfire ) . The narrative center of L.A. Law is occupied , rather , by those lawyers with no pretense to omni- science , and with a more limited narrative range - Ann Kelsey , Grace Van Owen , Michael Kuzak , and ...
... narrative predictions backfire ) . The narrative center of L.A. Law is occupied , rather , by those lawyers with no pretense to omni- science , and with a more limited narrative range - Ann Kelsey , Grace Van Owen , Michael Kuzak , and ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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