Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 29
... living room . She is connected to us by facing the viewer at home . Her gaze estab- lishes a virtual position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive ...
... living room . She is connected to us by facing the viewer at home . Her gaze estab- lishes a virtual position in space linking the television / aerobic studio space and the viewer's living room . Her directive language is " interactive ...
Side 78
... living things . What's true is that this human being is omnivorous when dealing with information because it has a regulating system ( codes and rules of processing ) that's more differentiated and a storage capacity for its memory ...
... living things . What's true is that this human being is omnivorous when dealing with information because it has a regulating system ( codes and rules of processing ) that's more differentiated and a storage capacity for its memory ...
Side 128
... living , which , together with the incorpo- ration of Dai expressions , elicit credibility and empathy . Li Chun's subjective appraisals of the Dai are always positive , showing a willingness to be educated and to understand , while her ...
... living , which , together with the incorpo- ration of Dai expressions , elicit credibility and empathy . Li Chun's subjective appraisals of the Dai are always positive , showing a willingness to be educated and to understand , while her ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York