Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 25
... beginning of the 1980s is a condensation of contradictions : thin and muscular , hard and curvaceous , it sug- gests power and yet a slender boyishness ; furthermore , those very muscles which empower are also the material of feminine ...
... beginning of the 1980s is a condensation of contradictions : thin and muscular , hard and curvaceous , it sug- gests power and yet a slender boyishness ; furthermore , those very muscles which empower are also the material of feminine ...
Side 4
... beginning to define and restrict what it is possible to do and say in its name . Fortunately for the future of cultural studies , a " boom " in this sense is not a reflection of broader economic conditions at any given time . It is a ...
... beginning to define and restrict what it is possible to do and say in its name . Fortunately for the future of cultural studies , a " boom " in this sense is not a reflection of broader economic conditions at any given time . It is a ...
Side 19
... beginning of the machine age and the industrial revolution , and with the descriptive subtitle , The New Prometheus . Creations from the test tube , artificially engendered life , or reproductive technologies are thus not alien to ...
... beginning of the machine age and the industrial revolution , and with the descriptive subtitle , The New Prometheus . Creations from the test tube , artificially engendered life , or reproductive technologies are thus not alien to ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York