Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 10–11Indiana University Press, 1988 |
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Side 118
... appear , a quest for some logic that will keep the images going ? Based on a continual difference become same- ness - the 24 frames per second that , in Godard's phrase , consti- tute a truth representational cinema would seem precisely ...
... appear , a quest for some logic that will keep the images going ? Based on a continual difference become same- ness - the 24 frames per second that , in Godard's phrase , consti- tute a truth representational cinema would seem precisely ...
Side 19
... appear as a machine and machines can appear human . The structure of representation is a structure of fetishism , Stephen Heath ( following Barthes ) therefore correctly writes in The Sexual Fix . 12 The bijective association of animism ...
... appear as a machine and machines can appear human . The structure of representation is a structure of fetishism , Stephen Heath ( following Barthes ) therefore correctly writes in The Sexual Fix . 12 The bijective association of animism ...
Side 36
... appears to be saying something urgent . Yet from the anorexic's perspective , this body — as it might appear to her for instance in a mirror or a friend's description — has stopped signifying . It does not exist because the world does ...
... appears to be saying something urgent . Yet from the anorexic's perspective , this body — as it might appear to her for instance in a mirror or a friend's description — has stopped signifying . It does not exist because the world does ...
Indhold
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York