to gratification inflame a Habit ch. 14. Prevails in old age i. 190. Habit i, 70. Hearing) in hearing we feel 69. 70. Mufical pauses in an hexameter line ii. Hiftory) why the history of Horace) defective in con- Horroc Horror) objects of horror Human nature) a complica. &c. Hippobachius ii. 114. lambic verfe) its modulati on faint ii. 66. Iambus ii. 114. Jane Shore) cenfured i. 292, &c. 302. Idea) not fo cafily remembered as a perception is i. 103. Succeffion of ideas i. 189. Pleasure and pain of ideas in a train i. 194, &c. Idea of memory defined ii. 326. Cannot be innate ii. 327. Note. There are no general ideas ii. 328. Note. Idea of an object of fight more diftinct than of any other object ii. 331. Ideas diftinguished into three kinds ii. 332. Ideas of imagination not so pleafant as ideas of memory ii. 336. Ideal prefence i. 50, &c. tate virtuous actions i. Impro Impropriety) in action rai- | Inverfion) and inverted ftyle ed i. 181. Note. Innate idea) there cannot by inftinct i 21. 44, &c Inftrument) the means or inftrument conceived to be the agent ii. 171. Intellectual pleasure i. 2. Intr. Internal fenfe ii. 323. Intrinsic beauty i. 120. Intuitive conviction) of the veracity of our fenfes i 48. of the dignity of human nature i. 220. ii. 316. of a common na ture or ftandard in every fpecies of beings ii. 314 of this ftandard being invariable ii. 314. and of its being perfect or right ii. 314. Intuitive conviction that the external figns of paflion are natural, and also that they are the fame in all men i. 275.276. Intuitive knowledge) of external objects i. 48. described ii. 33, &c. Inverfion gives force and liveliness to the expreffion byfufpending the thought till the clofe ii 50. Inverfion how regulated ii. 53. 54. Beauties of inverfion ii. 53. 54. Inverfion favourable to pauses: ii. 87 Full scope for it in blank verfe ii. 104. involuntary figns) of paffion i. 267. 271. Ionicus ii. 115. Joy) its cause i. 29. 69.. Infectious i. 109. Confidered with refpect to dignity and meanness i. 221. Iphigenia) of Racine cen. fured i. 264: Iphigenia in Tauris) cenfured i. 322. ii. 271. 272. Irony) defined i. 232. Italian tongue) too smooth ii. 9. Note. Italian words finely diverfified by long and fhort fyllables ii. 7. Note. Judgment) and memory in perfection, feldom united. 1. 4. 5 Judgment feldom united with wit i. 5. Julius Cæfar) of Shakespear cenfured i. 311. Juftice) of lefs dignity than generofity or. courage i. Key note ii. 61. 67. 68. Kitchen-garden ii. 275. Knowledge) intuitive knowledge of external objects, i. 48. Its pleasures never decay i. 261. Labyrinth) in a garden ii. 284. Landscape) why fo agreeable i. 74. 206. More a greeable when comprehended under one view ii. 282. A landscape in painting ought to be con fined to a fingle expreffion i. 187. Contraft ought to prevail in it i. 200 Language) power of language to raife emotions, whence derived i. 51. 56. Language of paffion ch 17. Ought to be fuited to the fentiments i. 282. 314 315 316. broken and interrupted i. 314 of impetuous paffion i. 316 of languid paffion i. 316 of calm emotions i. 315. of turbulent paffions i 316. Examples of language elevated above the tone of the fentiment i. 324 Of language too artificial or too figurative i. 325. too light or airy i. 326 Language how far imitative ii. 3. Its beauty with respect to fignification ii. 4. 12, &c. Its beauty with respect to founds ii. 5, &c. It ought to correspond to the subject ii. 16. 219. Its ftructure explained ii. 29 30, &c. Beauty of language from a refemblance betwixt found and fignification ii. 3. 54, &c. The character of a language depends on the character of the nation whofe lan guage it is ii. 96 Note. The force of language confifts in raifing complete images i. 56. 57. ii. 209. Its power of producing pleafant emotions ii. 231. Without lan guage man would scarce be a rational being ii. 341. Latin tongue) finely diverfified with long and short fyllables ii. 107. L'avare) of Moliere cenfured i. 309. Laughter i. 168. Laugh of derifion or fcorn i. 214. Law) defined i. 216. 217. Laws of human nature) neceffary fucceffion of perceptions i. 1. 189. We never act but through the impulfe of defire i. 19. 110. An object lofes its relith by familiarity i. 68. Paffions fudden in their growth are equally fudden in their decay i. 70. 254. Every paflion ceafes upon obtaining its ultimate end i. 70. An agreeable caufe produ ceth oeth always a pleasant emotion, and a difagreeable caufe a painful emotion i. 111. Laws of motion) agreeable i. 125. Les Freres ennemies) of Racine cenfured i. 298. Lewis XIV. of France) cen fured i. 208. Note. Lex talionis) upon what principle founded i. 184. Line) definition of a regular line ii. 333. Littlenefs) is neither pleafant nor painful i. 134. Is connected with refpect and humility i. 268. Note. Livy) cenfured ii. 14. Locke) cenfured ii. 327. Note. Logic) cause of its obfcu rity and intricacy i. 277. Logio) improper in this climate ii. 294. Love) to children accounted for i. 38. The love a man bears to his country explained i. 40. Love produced by pity i. 42. Love gradual i. 68. It fignifies more commonly affection than paffion i. 69. Love inflamed by the caprices of a mistress i. 70. Its endurance i. 71. To a lover absence appear's long i. 100. Love affumes the qualities of its object i. 109 when exceffive becomes felfish i. 128. confidered with respect to dignity and meanness i. 221. feldom conftant when founded on exquifite beauty i 259. ill reprefented in French plays i. 307. when immoderate is filent i. 313. Love for love) cenfured ii. 261. Lowness is neither pleafant nor painful i. 134. Lucan) too minate in his defcriptions i. 145. cenfured ii. 237. Ludicrous i. 168. may be introduced into an epic poem i. 188. Lutrin) cenfured for incongruity i. 210. characterifed i. 227. Luxury) corrupts our taste ii. 320. Machinery) ought to be excluded from an epic poem i. 57. ii. 247. does well in a burlesque poem i. 58. Malice) how generated i. 68. Why it is perpetual i. 70. Man) a benevolent as well as a felfish being i. 112. fitted for fociety i. 117. Conformity of the nature of man to his external circumstances i. 134. 154. 158. 208. 279. Man intended to be more active than contemplativei.222. The different branches of his internal conftitution finely fuited to each other ii. 296. 317. Manners) |