Words that Count: Essays on Early Modern Authorship in Honor of MacDonald P. JacksonUniversity of Delaware Press, 2004 - 291 sider These essays by leading scholars of early modern attribution, editing, theater, and versification (including Andrew Gurr, Gary Taylor, and Brian Vickers) focus on questions of authorship, authority, and ownership in Marlowe, Peele, Shakespeare, Middleton, Webster and others. Some essays take MacDonald P. Jackson's pioneering work in these fields a stage further, by looking at the critical consequences; others develop new methods, principles, or theoretical positions in determining authorship; still others use new data to extend or challenge Jackson's findings. the University of Auckland. |
Fra bogen
Resultater 1-3 af 46
Side 37
... Edward II . There is an alternative reading of these hints , though . Alleyn was the player who first made Tamburlaine famous . If he lost the early Marlowe plays when he transferred his allegiance to Strange's Men and Henslowe ...
... Edward II . There is an alternative reading of these hints , though . Alleyn was the player who first made Tamburlaine famous . If he lost the early Marlowe plays when he transferred his allegiance to Strange's Men and Henslowe ...
Side 82
... Edward II ( 644–47 ) , Peele's Edward I ( 649–50 ) , The Jew of Malta ( 659 ) , Dido ( 660 ) , Arden of Feversham ( 668–70 ) , Soliman and Perseda ( 674-76 ) , The True Tragedy ( 685-87 ) , and between many of the other plays . No ...
... Edward II ( 644–47 ) , Peele's Edward I ( 649–50 ) , The Jew of Malta ( 659 ) , Dido ( 660 ) , Arden of Feversham ( 668–70 ) , Soliman and Perseda ( 674-76 ) , The True Tragedy ( 685-87 ) , and between many of the other plays . No ...
Side 286
... Edward , 42 Dutton , Richard , 43 editing , stage directions and , 24 , 222-38 Edmond , Lauris , 12 Edmund Ironside , 13 Edward I ( Peele ) , 79 , 82-83 , 85 , 87 , 90-91 , 93–94 , 97–104 , 109 Edward II ( Marlowe ) , 29 , 37-38 , 45 , 82 ...
... Edward , 42 Dutton , Richard , 43 editing , stage directions and , 24 , 222-38 Edmond , Lauris , 12 Edmund Ironside , 13 Edward I ( Peele ) , 79 , 82-83 , 85 , 87 , 90-91 , 93–94 , 97–104 , 109 Edward II ( Marlowe ) , 29 , 37-38 , 45 , 82 ...
Indhold
Tribute to MacDonald P Jackson | 11 |
The Great Divide of 1594 | 29 |
Aaron in Titus Andronicus | 51 |
Copyright | |
10 andre sektioner vises ikke
Andre udgaver - Se alle
Almindelige termer og sætninger
Aaron Admiral's Admiral's Men Alleyn alliteration attribution Auckland authorship blocks Bloody Banquet Cambridge Univ collaboration contrast Dekker Devil's Law-Case doth Duchess of Malfi early modern echoes edition Edward Elizabethan enclitic English episode examples Faustus Flavius Ford Gary Taylor George Peele Henry Holdsworth internal evidence Jew of Malta John Webster King John King Lear Lake lines Literature London Lord Lover's Complaint Marlowe Marlowe's Middleton and Rowley Middleton canon Middleton-Rowley Nice Valour Notes and Queries Othello Oxford Univ parallels Peele Peele's Pembroke's percent phrase play play's players playwrights plot poem position Press proclitic quarto Renaissance Drama revenge Richard scene scribal Shake Shakespeare shouts soldiers Sonnets Spanish Gypsy speare speech stage directions Strange's stressed Studies Sussex's syntactic Tamburlaine Tamora tests textual thee Thomas Thomas Middleton thou Timon Timon of Athens tion Titus Andronicus Titus's Tragedy Troublesome Raigne Valenza verse Vocatives White Devil words wrote