Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 22,Oplag 2Indiana University Press, 2000 |
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Side 26
... side of the spectacle : on the opposite side of the camera , in the bedroom where Anna lies sleeping . That is , to identify with the camera's look in this sequence surprisingly entails a loss of control over objects in the field of ...
... side of the spectacle : on the opposite side of the camera , in the bedroom where Anna lies sleeping . That is , to identify with the camera's look in this sequence surprisingly entails a loss of control over objects in the field of ...
Side 27
... side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic ...
... side of the disempowered spectacle , and men on the side of the mastering look , by getting on the other side of the camera . I suggest , however , that the film is ultimately more concerned with what happens when the pho- tographic ...
Side 114
... side of the wall , in that , earlier , the other monsters started fighting with Kong over the women and Kong killed them all . Or a condition ended : the monster interested in humans con- quers those that remained distant to them . They ...
... side of the wall , in that , earlier , the other monsters started fighting with Kong over the women and Kong killed them all . Or a condition ended : the monster interested in humans con- quers those that remained distant to them . They ...
Indhold
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Copyright | |
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Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York