Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 22,Oplag 2Indiana University Press, 2000 |
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Side 35
... move , or as if the murmurings were traces of some very recent conversations still resonating in the air . The ... moving , perceptual existence . It is the fountain - like structure through which lost images may re- emerge in the ...
... move , or as if the murmurings were traces of some very recent conversations still resonating in the air . The ... moving , perceptual existence . It is the fountain - like structure through which lost images may re- emerge in the ...
Side 81
... move which is necessary precisely because one can never know in advance where that threat will come from . Export ... moves . In this work , Export affixes two 8mm cameras to her body , one facing forward , the other behind . As Export ...
... move which is necessary precisely because one can never know in advance where that threat will come from . Export ... moves . In this work , Export affixes two 8mm cameras to her body , one facing forward , the other behind . As Export ...
Side 89
... move the frame beyond the screen " ( Dwoskin 235-244 ) . The foundational text on this topic remains Gene Youngblood , Expanded Cinema . 2 I should note that this project entails a degree of excavation on the research end . I discuss ...
... move the frame beyond the screen " ( Dwoskin 235-244 ) . The foundational text on this topic remains Gene Youngblood , Expanded Cinema . 2 I should note that this project entails a degree of excavation on the research end . I discuss ...
Indhold
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Copyright | |
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Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York