Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bind 22,Oplag 2Indiana University Press, 2000 |
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Side 49
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
Side 60
... Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and perspective . While Alfons stands by the window waiting for Judith , the image again switches back to a two - color scheme , which by ...
... Judith's point of view cannot fail to reinforce the scene's disjunctive economy of space , time , and perspective . While Alfons stands by the window waiting for Judith , the image again switches back to a two - color scheme , which by ...
Side 62
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
Indhold
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Copyright | |
5 andre sektioner vises ikke
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Almindelige termer og sætninger
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York