Discourse, Bind 13Indiana University Press, 1990 |
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Side 140
... tion between the human voice and the musical instrument , between rehearsing and actual performing / recording , between traditional and contemporary musical forms , becomes itself a part of playing . The distinction between producer ...
... tion between the human voice and the musical instrument , between rehearsing and actual performing / recording , between traditional and contemporary musical forms , becomes itself a part of playing . The distinction between producer ...
Side 142
... tion . The clashing of these two usually incompatible languages , revolution and the market , suggests a fundamental need to revamp the bases for both . Their clashing reveals the grounding of emotions not in " nature " but in ...
... tion . The clashing of these two usually incompatible languages , revolution and the market , suggests a fundamental need to revamp the bases for both . Their clashing reveals the grounding of emotions not in " nature " but in ...
Side 151
... tion which has become internal to the postmodern nation . Thus otherness inhabits the nation - state like the uncanny inhabits the psychoanalytic subject . The modern subject favors the strategy of paranoia , projecting otherness ...
... tion which has become internal to the postmodern nation . Thus otherness inhabits the nation - state like the uncanny inhabits the psychoanalytic subject . The modern subject favors the strategy of paranoia , projecting otherness ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become body Bruno CALIFORNIA/RIVERSIDE camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge semiotic sexual social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University Library University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York