Discourse, Bind 13Indiana University Press, 1990 |
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Side 22
... identity . This involved much more than be- coming a " female impersonator " ; the name on Divine's passport , we are told , was " Divine . " Waters writes that as late as the time they were making Pink Flamingos ( 1972 ) Divine was ...
... identity . This involved much more than be- coming a " female impersonator " ; the name on Divine's passport , we are told , was " Divine . " Waters writes that as late as the time they were making Pink Flamingos ( 1972 ) Divine was ...
Side 23
... identity seems to have represented both a liability - part of the stigma itself - and a space for certain long - range negotiations and investments of creativity in what Erving Goffman referred to , in the subtitle of his book Stigma ...
... identity seems to have represented both a liability - part of the stigma itself - and a space for certain long - range negotiations and investments of creativity in what Erving Goffman referred to , in the subtitle of his book Stigma ...
Side 134
... identity means for the female spectator , but how female gender identity increasingly gained a sexual mobility as well . Weimar culture offers a superb opportunity for exploring the question of gendered spectatorship because it was ...
... identity means for the female spectator , but how female gender identity increasingly gained a sexual mobility as well . Weimar culture offers a superb opportunity for exploring the question of gendered spectatorship because it was ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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