Discourse, Bind 13Indiana University Press, 1990 |
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Side 76
... desires . Recognizing himself in Bruno enables Guy to displace those desires onto him . He does not desire Miriam's death , Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the ...
... desires . Recognizing himself in Bruno enables Guy to displace those desires onto him . He does not desire Miriam's death , Bruno does . He does not desire Bruno , Bruno desires him . In this respect , Hitchcock's film follows the ...
Side 97
... desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and read as working to interrupt ...
... desire / fear is a quite different dynamic from the operations of the momentary textual effects of a desire uncontaminated by fear , effects which poststructuralist critics sometimes gender as feminine and read as working to interrupt ...
Side 121
... desire for change . " Thus she endorses in her own films an " aesthetic ' scorched earth policy ' " ( 164 ) which renders spectatorial pleasure difficult by refusing dominant cinematic tech- niques of editing and camera positioning ...
... desire for change . " Thus she endorses in her own films an " aesthetic ' scorched earth policy ' " ( 164 ) which renders spectatorial pleasure difficult by refusing dominant cinematic tech- niques of editing and camera positioning ...
Indhold
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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advertising aesthetic American argues Baby Barthes become body Bruno CALIFORNIA/RIVERSIDE camera cinema communist contemporary context Crane's crisis critical critique crossdressing culture dance death desire discourse emotions essay Ethel expression female feminine feminism feminist Freud gender Graham grief Hedda Gabler Herbert Blau heterosexual Hitchcock's film homosexual homosexuals and lesbians hysteria hysterical Ibsen identity ideology individual issues Julia Kristeva Kaja Silverman Kristeva language Laura Mulvey Les Samouraïs lesbians literary male Martha Graham Mary Ann Doane masculine Melancholia melodrama modern Modleski mother mourning narrative Oedipal patriarchal performance Petro play political position postmodern practice Primitive produce psychoanalysis question rape reading realism relation representation represents rhetorical Rosenberg Rosler Routledge semiotic sexual social society spectator spectator's suggests television theater theatrical theoretical theory tion trans University Library University of Wisconsin-Milwaukee Valie Export Vietnam visual woman women writing York